Available in All Good Charity Shops

32732A8C00000578-3505687-Dumped_Second_hand_store_Goldstone_Books_has_collected_thousands-m-36_1458726605015Some of you may know, and others may have heard, that the publisher of my fiction, Freight Books, has gone into liquidation. I’m not going to go into the whys and hows here. There are plenty of articles online that go through the salient points, some objectively, some accurately, many just recirculating gossip or grinding axes. I’m not going to get into that. Freight Books were exceptionally kind to me over the years, first as my publisher and then employing me as an editor. They were never perfect and mistakes were made, then compounded. It ended badly and while there certainly is blame to be apportioned, that’s not an avenue I wish to drive. Others fared far worse than I did and they have every right to speak out and I support them in that. However I feel that adding my complaints won’t change anything. I’m simply so tired of the whole mess.

The reason I’m bringing it up at all is because of what it means for my books. As a novelist I am now ‘out of print’ although I prefer the euphemism, ‘sold out’. The liquidators have all the Freight stock and are asking the authors to buy it back at a ridiculous price and so far, I refuse. The very least that could be done to all the authors affected by this is to give them books that are otherwise going to be pulped. But capitalism doesn’t work that way. Our books have most value to us, therefore the liquidators can expect to leverage the highest return out of the very people being screwed. Yay capitalism.

I have a handful of copies left that I can sell if you contact me directly. There are quite a few second-hand copies available online as well, sold by third party sellers and independent bookshops via AbeBooks and Amazon, some very cheaply. Depressingly, many of them are described as ‘unread review copies’ meaning they are, at least, mint condition.

Ideally I would like to get back into print as soon as possible but that’s unlikely until I have something new to offer. I’m working on that at the moment. In the meantime, my novels have become incredibly niche collectors items, so if your shelf is lacking a copy of The Waves Burn Bright, Silma Hill, or First Time Solo and you were putting off the purchase for a rainy day, then you can get one from me directly, online, or from all good charity shops.

Additionally, my poetry was published by Tapsalteerie who are very much still a going concern, and my haiku collection would make an unusual Secret Santa gift.

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The Only Gaijin in the Village: Happy When it Rains

OGITV-Ch.9-1.jpgHi there, a few updates for you:

The Only Gaijin in the Village Chapter 9: Happy When it Rains is live now on Gaijinpot, as it the next in my series on Great Japanese Writers: Hiromi Kawakami. My latest for Japan  Times was a review of Ikigai which, well, isn’t great.

Art, as always, is by the great Justine Wong.

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Ishiguro, Dylan and Other Stories

I’ve been pretty bad at updating this page recently. Partly it’s just time constraints, partly being between projects and not having anything concrete to report. However, before the list becomes too unwieldy, here’s a few articles and reviews that have appeared over the last few weeks. Something more concrete when it sets.

On Kazuo Ishiguro and Bob Dylan’s Nobel wins.

A look at Shusaku Endo’s career.

8 Japanese Novels Not Set in Tokyo.

Yoon Ha Lee’s Raven Stratagem.

Kiriu Minashita’s Sonic Peace.

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The Only Gaijin in the Village 7

Justine-Wong-Illustration-GaijinPot-008.jpgHi all. Back at work and have a couple of things bubbling under, but no news I can share yet. In the meantime here’s the latest chapter of The Only Gaijin in the Village. 

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The Only Gaijin in the Village Chapter 5

Justine-Wong-Illustration-GaijinPot-005-final

Illustration by Justine Wong

Has it really been a month since I last posted? I’ve been neck deep in grading at work but the semester is almost over and I’ve got 7 weeks of novel writing planned, I can’t wait. I’ll also be off to Korea and exploring the narrow road to the deep north (Tohoku) as well as sleeping. A lot.

I’ve still found time for my columns on Gaijinpot and my articles for the Japan Times. If you missed them, here’s a few links:

The Only Gaijin in the Village Chapter 5.

Great Japanese Writers: 2. Yukio Mishima.

The Nakano Thrift Shop by Hiromi Kawakami and Allison Markin Powell (translator).

The Diplomat’s Daughter by Karin Tanabe.

The Tokyo Anthology. A collection of writing from Tokyo during the Meiji era.

A Diplomat in Japan by Sir Ernest Satow.

Building Japan by Richard Henry Brunton

 

 

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The Only Gaijin in the Village 4

Justine-Wong-OGITV-6Busy, busy, busy, hence not posting here in a while, for which much apologies. My summer holidays are fast approaching bringing a chance to work on my novel, do some touring around Japan for fun and research (Tohoku, I’m talking to you) and generally get some sleep. In the meantime, here’s a quick round up of my journalistic outings.

Chapter 4 of The Only Gaijin in the Village is up now on Gaijinpot (art above by Justine Wong). I’m really pleased by the positive response this series has been receiving – it’s a bit of a departure in style and content for me but one I’ve been working towards for a while.

Also on Gaijinpot I began a new series of Great Japanese Writers with a look at Nobel Laureate, Kenzaburo Oe.

At the Japan Times I took a long look at Tomoka Shibasaki’s excellent Spring Garden, and reviewed Hideo Furukawa’s Slow Boat, Ian Buruma’s The Wages of Guilt and Nagasaki by Brian Burke-Gaffney.

More news as and when.

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The Only Gaijin in the Village Chapter 3

Justine-Wong-Illustration-GaijinPot-002A few updates. I have two articles in this Sunday’s Japan Times, one of Kenneth Rexroth’s 100 Poems from the Japanese and the other on Marc Peter Keane’s Japanese Garden Notes. Also the third chapter of “The Only Gaijin in the Village” is up on Gaijinpot right now. Justine Wong has done another wonderful illustration for it. Enjoy.

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